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Martin Detwiler

Story Embers Staff Writer

Martin Detwiler is mostly normal. For a writer. He is, like most of us, a mess of paradoxes. Dreamer & cynic, philosopher & clown, hopeless romantic & grim realist—if there’s a contradiction, you’ll find it in him somewhere or another. But at the heart of it all, Martin is a man made new by Christ, the Author of that cosmic tale we call history. He has had a passion for stories from his earliest teen years, and the transition from reading others’ stories to writing his own seemed a foregone conclusion. His greatest inspirations are C. S. Lewis and J. R. R. Tolkien, both of whom stirred a passion for stories that combine the aesthetic and the true in such a way that the reader is given an experiential glimpse of God’s reality.

Martin lives in Ohio, and his hopes and dreams are nestled in the stars.

2 Ways Writers Can Portray God in Fiction (and Which Is Better)

2 Ways Writers Can Portray God in Fiction (and Which Is Better)

Christian writers who want to involve God as a character in their stories face an ongoing struggle. We’re acutely aware of how monumental the endeavor is, so we hesitate. If we’re too bold and dive in without forethought, we may make mistakes that mislead readers. But if we’re too timid, we risk tiptoeing around the real source of story, beauty, and truth—God Himself.

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3 Reasons You Shouldn’t Kill Your Characters

3 Reasons You Shouldn’t Kill Your Characters

Killing a side character isn’t bad storytelling. But some writers (particularly those in the fantasy genre) tend to rely on death to catalyze character growth, which makes it predictable. Even worse, it trivializes the loss of a human being. As Christian authors, our stories ought to preserve and emphasize the value of life, and we can’t do that if we’re crucifying characters purely to keep the plot moving.

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3 Self-Editing Techniques to Elevate Your Writing Style

3 Self-Editing Techniques to Elevate Your Writing Style

Have you ever stopped reading, not because the story itself was bad, but because the author’s phrasing was awkward? Few annoyances push me back into the real world faster than unwieldy prose. In the right combinations, words are beautiful and engaging. But in the wrong combinations, they grate on the ear and hinder an otherwise enjoyable experience.

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3 Ways You Can Use Mirroring to Craft a Resolution That Truly Resonates

3 Ways You Can Use Mirroring to Craft a Resolution That Truly Resonates

Meaningful stories leave you with memorable solutions to complex issues. A story shouldn’t stand behind a podium and spell out the lessons you’re supposed to learn from it. But it should tackle complicated questions and conclude after the characters have embraced (or, in some cases, rejected) the answers. That’s why resolution, the literary term for a story’s ending, contains the word solution.

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A Simple Strategy for Fixing Any Clichéd Trope

A Simple Strategy for Fixing Any Clichéd Trope

Despite a writer’s best efforts to be original, familiar plot and scene devices often sneak in. But you’re not a bad writer just because your manuscript contains clichés. Writers with less experience or narrower reading lists are more prone to gravitate to common tropes—not because they lack talent, but because the situations, characters, and settings are new to them. If you’re struggling with this issue, don’t be discouraged. Your storytelling senses are not broken.

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Why You Need to Understand the Biblical Fall to Accurately Depict Broken Characters

Why You Need to Understand the Biblical Fall to Accurately Depict Broken Characters

When Adam and Eve bit into the forbidden fruit to experience the taste of both good and evil, they consciously rebelled against God. Broken, they plunged into an existence fraught with sorrow. In the shadow of their future, the rest of humanity plunged as well. We now live submerged, choking on water we weren’t meant to breathe. The people around us thrash and cough and drown every day. But how often do we think about the fall when we’re developing characters?

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Don’t Make Your Short Story Too Complicated

Don’t Make Your Short Story Too Complicated

Short stories are a powerful medium. In just a few thousand words, they send us on meaningful emotional journeys that linger with us for the rest of our lives. “The Gift of the Magi” illuminates the tender beauty of selflessness, and “The Tell-Tale Heart” exposes us to the torture of a guilty conscience. As much as I love the drawn-out impact of a novel, the quick punch of a short story has an appeal all its own.

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Tolstoy vs. Superheroes: Two Approaches to Character Development

Tolstoy vs. Superheroes: Two Approaches to Character Development

A plot may stimulate readers’ minds, but even the most unforeseen twists won’t linger in their memory unless the events are deeply rooted in the characters’ lives. Strong character development engages readers’ emotions, giving them someone to invest in and identify with. It’s a crucial component of fiction, but the execution looks starkly different in a plot-driven story than in a character-driven one. By comparing the two styles, writers can learn how to capitalize on the one that best serves their work-in-progress.

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