Characters need flaws to humanize them. When we try to follow this advice, sometimes we populate our stories with characters who are perfect except for one glaring issue, such as selfishness or insecurity. But how many of us have a single weakness?
Last August, a young man in my church killed himself. He came from a large family, and our community loved him. I decided to chronicle the impact of his death, because a Christian suicide is a troubling situation. If the gospel is a message of hope in the midst of ultimate suffering, what happens when a Christian commits the ultimate hopeless act?
Abortion. Homosexuality. Feminism. Race/border politics (because those have gotten conflated). These topics dominate the news, and fiction needs to accurately portray our world, but how do we write with caution and avoid inflaming or alienating readers?
Have you ever read a book or watched a movie where the interaction between two lovers became graphic? Have you ever been absorbed in an adventure story and suddenly had to skim unnecessarily steamy scenes? I have, and I hate it. Not only does the sensuality rip me out of the story and make me roll my eyes, it taints the characters (and prevents me from recommending an otherwise great novel).
Have you ever loved a book or TV series as a child, re-watched it as an adult, and realized how terrible it actually is? Several stories fall into this category for me—many of which are Christian and contain heavy-handed messages. But Adventures in Odyssey is one of those rare Christian stories that stands up to the test of time. Here’s how it does it.
The 1860s to 1890s were a shoot ’em up, bang ’em up period full of drinking, swearing, killing, and general lawlessness. So, how are you supposed to write a wholesome story set during the Wild West?
In a world where the gods of sexual pleasure pose strong opposition to Christianity, we need Christian storytellers who are ready to write about sexuality appropriately and biblically. In this article, I outline seven principles to consider when incorporating sex into our stories.
Swearing, like most subjects in the Christian community, has created its share of controversy. Are English words, which are nothing more than subjective pairings of vowels and consonants, offensive to the Almighty, or only when combined with His name? Should we avoid saying certain words around children? What about typing them out?
Should you write a scene of human sacrifice where the priest cuts out the victim’s [bleep] with a stone knife, the body [bleep], and the blood [bleepity bleep bleep]? (I’m trying to be sensitive here.) These kinds of questions plague Christian writers—especially beginners and those who have been raised without exposure to brutality.
Light is a paradox. Without darkness, the light’s ability to reveal hidden wonders and dangers would be lessened. Without the night to conceal, gloom can’t be driven away by dawn. Without shadows for contrast, even the brightest light cannot manifest its full strength. This is true of the gospel as well as writing.