Plot
3 Lessons Fantasy Writers Can Learn from the Classical Epic

3 Lessons Fantasy Writers Can Learn from the Classical Epic

You’ve probably heard the expression “That was epic!” thousands of times. But what does it actually mean? Epic is used to describe a myriad of experiences, but we typically treat it as a synonym for big, awe-inspiring, or just plain cool. Movies are full of epic clashes between good and evil. And if you’re hungry enough, hamburgers can be epic too.

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Don’t Make Your Short Story Too Complicated

Don’t Make Your Short Story Too Complicated

Short stories are a powerful medium. In just a few thousand words, they send us on meaningful emotional journeys that linger with us for the rest of our lives. “The Gift of the Magi” illuminates the tender beauty of selflessness, and “The Tell-Tale Heart” exposes us to the torture of a guilty conscience. As much as I love the drawn-out impact of a novel, the quick punch of a short story has an appeal all its own.

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Why Triangles Are the Secret to Writing Killer Scenes Every Time

Why Triangles Are the Secret to Writing Killer Scenes Every Time

Have you ever noticed that one area of plot tends to get neglected? If you browse writing blogs on a regular basis, you’re probably familiar with multiple strategies for structuring a plot, such as the Three Act, Snowflake, Save the Cat, or Hero’s Journey templates. But advice on structuring individual scenes? That’s rare. Knowing how to plot an entire novel is useful, but if you struggle to craft the scenes and chapters within it, you won’t make much progress.

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How to Write Happy Endings that Don’t Feel Contrived

How to Write Happy Endings that Don’t Feel Contrived

Happy endings resound with hope, reminding us of God’s ultimate triumph over evil. As we turn the last page, we feel homesick for the moment when He’ll wipe away all our tears and usher in the new heavens and new earth. But a thin line separates endings that point toward eternal bliss and endings that have been manipulated to give readers warm fuzzies. For a story to remain honest, the ending needs to reflect victory and reality.

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How to Evoke Humor, Tension, and Sorrow with Dramatic Irony

How to Evoke Humor, Tension, and Sorrow with Dramatic Irony

Writers are lovers of drama. Hit us with a fast-paced shoot-out, a heart-rending rejection, or a tragic death scene, and we’re as happy as larks. Because conflict excites readers, we shove as much of it into our books as possible. Although dramatic irony contains that wonder word, it’s subtler than fight scenes and tear-jerking confessions. Dramatic irony involves manipulating knowledge, not action.

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How to Show Character Development in Fast-Paced Stories

How to Show Character Development in Fast-Paced Stories

When you think about fast-paced stories, what comes to mind? Cliffhangers that keep you awake late at night, turning pages so quickly that you get paper cuts? Or anemic character arcs and half-hearted themes. Sometimes films and books sacrifice character development for the sake of fight scenes and car chases. But if a character’s experiences don’t change him at all, what’s the point?

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How to Write Romance Like Jane Austen

How to Write Romance Like Jane Austen

All writers and readers have an opinion on literary tropes—which ones they like, dislike, and think are overdone, as well as those that reserve the author (or consumer) a spot in the third circle of hell. If you’re new to the party, tropes are common literary devices or clichés. They can be phrases, situations, or images, and they’re born from familiar patterns of storytelling that audiences find compelling.

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How to Use the Lowpoint to Show Off Your Character’s Development

How to Use the Lowpoint to Show Off Your Character’s Development

When we’re in the thick of writing, we’re pressured to perfectly structure our plots, ace our pacing, and polish our prose. Amid that chaos, character arcs can easily get lost. We want readers to be touched by hope when the hero perseveres, joy when he discards his selfish goals, or determination when he confronts the villain. But despite the effort we’ve poured in, we worry that readers won’t be able to follow the protagonist’s arc.

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