The Mandalorian. Artemis Fowl. Dustfinger. Kaz Brekker. These antiheroes and countless others have captured the imaginations of viewers, readers, and fangirls with such ferocity that traditional heroes struggle to compete. But what makes audiences love the cowardly Dustfinger, the calm Mandalorian, and the clever Artemis Fowl? Certainly not their morals, because when we first meet them, they’re far from paragons of virtue.
I am fearfully made in this garden of wonders where sun dapples down upon bench and bed, upon creeper and crocus, with shoots lancing quickly up, defiant through dampened earth.
Since time began, spiritual beings have played a role in literature, ranging from stereotypical devils with horns and pitchforks to angels with halos and wings. These invisible, mystical creatures can raise the stakes and tension, rescue or endanger their human counterparts, and embody the conflict between good and evil, but since most of us have never laid eyes on one, how can we both accurately and artistically develop them as characters?
Christian writers who want to involve God as a character in their stories face an ongoing struggle. We’re acutely aware of how monumental the endeavor is, so we hesitate. If we’re too bold and dive in without forethought, we may make mistakes that mislead readers. But if we’re too timid, we risk tiptoeing around the real source of story, beauty, and truth—God Himself.
The divine is an elusive subject to capture, yet humans have been fascinated with it since the beginning of time, exploring it through poetry, stories, music, art, and various other mediums. Whether God shows up in a burning bush, as a thunderous voice accompanied by fire and lightning on a mountain, or in the humble person of Jesus Christ, incredible wonders are guaranteed to happen. Any moment that He steps into the story of humanity is powerful and purposeful.
In case you’ve ever wondered what goes on in an editor’s brain, her desire to conquer syntax can cause an awful strain. A typo, a misspelling, a hyphen out of place will etch a deep, deep crease upon an editor’s face.
The enemy of writing is time. It limits productivity and advancement. For many writers, a conflict exists between the hours they spend (or wish they could spend) on their latest story ideas and the other responsibilities in their lives. But what if all of life could be devoted to writing? Sounds too good to be true, doesn’t it? Well, it isn’t.