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  • E.B. Raulands replied to the topic Beyond the Mask in the forum Story Analysis 7 years, 3 months ago

    @selah-cheylah, @jessi-rae
    Well, I think we’ve gotten through the EiLs of all the most important characters, so let’s skip to Week 6’s lesson on story theory and talk about the plot structure! (I’ve copied Jane Maree’s descriptions of the major events in a typical story below for easier reference.)

    •The Characteristic Moment

    This is where you introduce the core of who your character is. You show what their ‘normal’ is, what they believe. This both lets the readers get to know him/her and also sets up the character arc nicely, because you can introduce the lie that your character believes. Showing what your character’s ‘normal’ is also contrasts nicely when the next major events of the story start and it’s anything but normal.

    •The Inciting Event

    This is where the ‘normal’ life gets thrown out the window and your main conflict is introduced. The rumour of an assassin group starts going around. The Big Important Thing is stolen. Something kicks the plot into gear and it starts whirring steadily.

    •The 1st Plot Point

    Up until this point, the protagonist is kind of involved, but this is the point of no return. Something happens that forces him to commit to the story goal no matter what.

    •The 1st Major Test

    Stories are a lot about throwing challenges at your characters, but this is one big one that is going to rock your protagonist’s world. It will both push them to doubt whether they can succeed, and it should also make them realise that there’s something faulty with their own belief. There’s a fatal flaw. They start to wonder if maybe ‘this other way’ might be better.

    •The Midpoint

    From this point, your protagonist stops reacting to what the villain does, and starts actively fighting back. He also starts trying to live according to the new belief, though this will still be very rocky and uncertain.

    •The 2nd Major Test

    This is basically the same as the 1st major test, but this time the protagonist will be more prepared and ready to react to this test. This will challenge their new belief, but they’ll stick to it.

    Obviously, don’t forget to include more tests and trials in the plot than just these two major ones. 😉

    •The Lowpoint

    This is the darkest, most hopeless part of your story. It should look like the villain has won. Like there’s no way for the protagonist to succeed. But the protagonist can’t give up completely. They’ll recommit and plunge back in again more firmly convinced of their new belief and ready to act on it.

    •The Climax

    You all know what a climax is. It’s the biggest, explosive, most memorable scene in your novel where the protagonist finally succeeds (or fails) in his goal. You can’t skimp out on this scene. It has to be HUGE or else the readers will feel let down by the book as a whole. No pressure. 😛

    •The Resolution

    Wrap up all the loose ends, tie them in a bow, everyone lives happily ever after. The Resolution is also a great place to show the beginning of a new ‘normal’ but this time with the protagonist living according to his new belief and showing how that changes how he acts.

    So, let’s start with the characteristic moment. Where do you think this portion begins and ends?

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