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How to Evoke Humor, Tension, and Sorrow with Dramatic Irony

How to Evoke Humor, Tension, and Sorrow with Dramatic Irony

Writers are lovers of drama. Hit us with a fast-paced shoot-out, a heart-rending rejection, or a tragic death scene, and we’re as happy as larks. Because conflict excites readers, we shove as much of it into our books as possible. Although dramatic irony contains that wonder word, it’s subtler than fight scenes and tear-jerking confessions. Dramatic irony involves manipulating knowledge, not action.

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Should You Share the Gospel in Your Novel?

Should You Share the Gospel in Your Novel?

Have you ever heard that gospel presentations ruin novels? Or that entertaining stories with good morals but no references to the Bible are humanistic? I’m familiar with both these convincing arguments. I don’t want to waste my life by not advancing Christ’s kingdom, but neither do I want to spoil art with pragmatism.

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4 Ways to Help Readers Connect with Unlikable Characters

4 Ways to Help Readers Connect with Unlikable Characters

The cinnamon roll. A smol bean. We invent all kinds of affectionate nicknames for the cuddly teddy-bear characters we adore. But what about characters who have a few prickles? Or are downright cold? As writers, we strive to create characters readers will root for. Otherwise our books won’t stay open for long. But not every story requires a happy-go-lucky Olaf. Sometimes a story needs an emotionally detached Elsa. But how do we endear aloof characters to readers? If we tinker with four areas, we can warm these characters up just enough that readers won’t get frostbitten.

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What The Promise of Jesse Woods Teaches Writers about Character Development

What The Promise of Jesse Woods Teaches Writers about Character Development

Human beings are hard to figure out. We rarely express our full thoughts or feelings, and when we do, misunderstandings still arise. How we process and react to situations is unique and impacted by everything from mood to history to personality. As we’re crafting characters who are intended to embody specific worldviews or lessons, we need to keep human complexity in mind. The strongest, most memorable characters expose their layers during pivotal moments rather than all at once.

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How to Write Stories that Christian Readers Actually Need

How to Write Stories that Christian Readers Actually Need

Why does Christian fiction as a genre have to exist? Why can’t we ditch the special label and simply write good fiction? In the first installment of our article series exploring The Promise of Jesse Woods, Josiah answers these objections and explains what the book teaches about crafting explicitly Christian themes that resonate with readers.

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3 Lies about Stylistic Editing (and Why They Hurt Your Writing)

3 Lies about Stylistic Editing (and Why They Hurt Your Writing)

Editing is easy to overdo. You open your latest draft to restructure a scene, but as you reread your work to get your bearings, you can’t resist tinkering with a clunky paragraph in the previous chapter. Then you remember a worldbuilding element you need to research so you can use it to set the mood when your protagonist meets her love interest. And soon you’ve spent an hour brainstorming the perfect analogy for his blue eyes.

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How to Brainstorm a Topic for Your Poem When You’re Out of Ideas

How to Brainstorm a Topic for Your Poem When You’re Out of Ideas

Whenever I’ve asked my students to write a poem, I invariably hear the question, “Where do I start?” My immediate reaction is consternation, plus a certain level of frustration (in case you don’t know, writing teachers can be an exasperated bunch). Poetry is all about your surroundings, right? So, formulating a topic should be as easy as attending school, going to work, or otherwise carrying out your daily routine. Why, oh student writer, are you overthinking this task? It’s supposed to be fun!

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