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How to Write Emotion-Grabbing Romance without Sex Scenes

How to Write Emotion-Grabbing Romance without Sex Scenes

Have you ever read a book or watched a movie where the interaction between two lovers became graphic? Or been absorbed in an adventure story and suddenly had to skim unnecessarily steamy scenes? I have, and I hate it. Not only does the sensuality rip me out of the story and make me roll my eyes, it taints the characters (and prevents me from recommending an otherwise great novel).

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5 Stylistic Choices You Need to Stop Making

5 Stylistic Choices You Need to Stop Making

Every story consists of tiny, pixel-like decisions that either make the big picture clear and vivid or fuzzy and muted. Whether you’re placing punctuation or determining which character’s voice should narrate a scene, each judgment call will affect readers’ enjoyment. Oftentimes, the difference between clunky and compelling text is a pair of scissors, and the acronym P.R.O.S.E. can help you recognize what to trim.

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How to Avoid Cheap Grace When Redeeming a Villain

How to Avoid Cheap Grace When Redeeming a Villain

Few events showcase the power of redemption as beautifully as the repentance of a hardened villain. But few events undercut the nature of redemption as starkly as a villain who forsakes evil without self-reproach or fallout. Unfortunately, today’s media culture slants toward the latter. At Lorehaven, I’ve pointed out how various Marvel TV shows misrepresent redemption. But those aren’t the only offenders. Pixar’s Toy Story 4, as popular as it may be, never deals with Gabby Gabby’s manipulative tactics. And in the recent Star Wars trilogy, Kylo Ren chooses the light side during the climax without acknowledging the magnitude of his crimes.

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4 Overlooked Benefits of Writing Articles about Story Craft

4 Overlooked Benefits of Writing Articles about Story Craft

You probably think that fiction and nonfiction are on opposite sides of the equator—and I would say that you are absolutely correct. Each have different sets of rules, audiences, and goals. One is entertaining and the other is informative. One keeps us on the edge of our seats and the other keeps us on the edge of our brains. One lifts us into another dimension and the other pushes us down to reality.

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Lessons Thanos and Ultron Teach about Creating Sympathetic Villains

Lessons Thanos and Ultron Teach about Creating Sympathetic Villains

What’s the difference between Infinity War and Age of Ultron? Why is one shocking and fantastic while the other is shallow entertainment? The producers didn’t recast half the Avengers or cross more fingers when Infinity War hit theaters. But where Age of Ultron is predictable, Infinity War is riveting. Where Age of Ultron is funny, Infinity War is impactful and humorous (props to the writers). So, why is Infinity War a winner?

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How to Write Humorous Stories (Even When You’re Not a Funny Person)

How to Write Humorous Stories (Even When You’re Not a Funny Person)

Everyone enjoys turning red in the face and struggling to breathe for a few seconds after a hilarious experience. Laughter lightens your mood, reduces stress, and even improves your immune system. On a relational level, humor helps you connect with others whether you’re swapping anecdotes in the same room together or reading a character’s wisecracks from a printed page. Humor makes stories more engaging overall, as well as balances out tenser scenes.

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Fiction and Reality Aren’t as Far Apart as You Think

Fiction and Reality Aren’t as Far Apart as You Think

The task of fiction writing is complicated. We make up people, places, and situations that are supposed to inspire readers to care and relate. We’re not trying to enchant anyone to the extent that they lose sight of the line between fiction and reality, but we are hoping to lift the veil of disbelief so that their imagination can run through the lush grass or the chipped pavement of worlds that don’t exist.

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4 Ways Pantsers Can Prepare to Write a Story

4 Ways Pantsers Can Prepare to Write a Story

The methods for planning a novel are endless: character questionnaires, structure templates, prewriting, outlining. Some writers fall into the camp of plotters, where warm-up work is second nature and vital to racking up a word count. But how are those of us who approach the process by the seat of our pants supposed to write amazing stories?

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