Mother’s favorite waltz warbled from the corner of the garage. I must have left the phonograph on a few hours ago, before the party. Behind me, the chipped door closed on the clink of crystal, the swish of silk, and the thrum of a cello.
Have you ever loved a book or TV series as a child, re-watched it as an adult, and realized how terrible it actually is? Several stories fall into this category for me—many of which are Christian and contain heavy-handed messages. But Adventures in Odyssey is one of those rare Christian stories that stands up to the test of time. Here’s why.
The task of fiction writing is complicated. We make up people, places, and situations that are supposed to inspire readers to care and relate. We’re not trying to enchant anyone to the extent that they lose sight of the line between fiction and reality, but we are hoping to lift the veil of disbelief so that their imagination can run through the lush grass or the chipped pavement of worlds that don’t exist.
I run a race that no one can see, but too often I lag behind. I watch the leaves glide on the wind and wonder what it’s like to bide time. When I pause to take a breath, the wind shoves an unchecked task list into my clenched hand.
The methods for planning a novel are endless: character questionnaires, structure templates, prewriting, outlining. Some writers fall into the camp of plotters, where warm-up work is second nature and vital to racking up a word count. But how are those of us who approach the process by the seat of our pants supposed to write amazing stories?
Have you ever been tempted to tear pages from your notebooks, toss the crumpled wads into the trash, and vow to never write again because it isn’t worth your time? Some days, the words refuse to come. On other days, people insist that playing around with imaginary characters and places isn’t a real job. And every day in between, you stare at the gaping whiteness in front of you and wonder, “Why do I bother?”
A little over a year ago, I signed up for a theater class. Most of the lessons focused on the techniques actors use to learn about the roles they’re portraying, which involves much more than memorizing a script. Before ever setting foot on stage, each actor identifies the goal his or her character is trying to achieve in the upcoming scene. Whether it’s as simple as asking a friend for a favor or as dramatic as attacking an enemy, the character and actor both need motivation to move from Point A to Point B.