You’ve undoubtedly read an article titled “365 Ways to Set Yourself up for Success” or something like that. The internet is loaded with information on self-promotion and increasing the zeros in one’s bank account. However, success is dependent on much more than marketing techniques and get-rich-quick schemes.
Story Embers Public Relations Director
Mariposa Aristeo is a writer of quirky characters and fantastical adventures filled with heart, humor, hope, and, very often, dinosaurs. If you can’t find her in one of her own imaginary worlds, try combing the pages of a great middle-grade fantasy novel.
At Story Embers, igniting (and sometimes imploding) ideas is her favorite pastime, so she often uses her creativity to make graphics for articles and writing quotes, as well as implement new strategies for SE’s social media channels. Explosions aside, she loves getting to know each and every writer here at SE by running the popular #embersgram hashtag on Instagram and responding to your questions and emails.
Besides being a co-owner of Story Embers, Mariposa is an ACFW First Impressions contest finalist, a children’s book illustrator, and the host of the IGTV series #middlegrademagicwithmari. You can check out her book recommendations (and shenanigans) on her Instagram page or her character sketches on her art account.
Writers tend to treat the fine points of writing like chemicals in a science lab. Some jumble style and grammar in an intellectual test tube, uncertain which combination will produce the desired effect. Others avoid the subject because they’re worried it might encumber their creativity and make their writing monotonous.
Writing is hard. Life is harder. It’s full of tragedies, grueling work, annoyances, setbacks, frustrations, and disappointments. Nothing at all like a fairy tale. Yet fairy tale retellings have become increasingly popular over the last several years—from Gail Carson Levine’s Ella Enchanted to Marissa Meyer’s Cinder to Kara Swanson’s Dust. But what is the value of this subgenre besides marketability, and how does it relate to real-world issues?
When you think of Christmas shopping, visions of toys, jewelry, clothes, and candy probably dance in your head. That’s if you’re a normal human being. If you’re a little weird and a lot nerdy, you get starry-eyed over Lord of the Rings mugs, graphic T-shirts with famous literary quotes, and stacks of books as tall as skyscrapers. I’m guessing that everyone reading this falls into the latter category. Am I right?
Rarely does a day pass anymore without a depressing headline hitting the news. Violence, hate, and fear rampage across your screen. Some days you can’t bear it, so you shut off your devices. You’re done. You want life to be normal again. You want your motivation back. You want to revive the creativity that all of the chaos and uncertainty killed. But ignoring the news will only give you a false sense of peace that won’t last. “Take a walk. Read a book. Visit a friend,” anxiety taunts. “I’ll return when you’re through.”
You probably think that fiction and nonfiction are on opposite sides of the equator—and I would say that you are absolutely correct. Each have different sets of rules, audiences, and goals. One is entertaining and the other is informative. One keeps us on the edge of our seats and the other keeps us on the edge of our brains. One lifts us into another dimension and the other pushes us down to reality.
Some Christian writers believe that their characters should sprout wings—or at least tote a halo throughout the book. Others, taking the negative approach, think their characters should be devils who transform into angels (undoubtedly due to a five-minute conversation in which the understanding of spiritual realities is suddenly knocked into them). If our characters resided in heaven, this stance would be acceptable—but they don’t, and it’s about time we pushed them off the cliff into reality.
Writers are liars. We spend hours trying to make imaginary people and places seem realistic enough that the line between fact and fiction blurs inside readers’ heads. We want the sensory details to be so tangible that they can see, hear, and feel everything the characters experience. But readers aren’t the only parties we need to convince. Our characters should be tangled up in the deception too.
When you nestle into a corner of your house or favorite coffee shop with your laptop, you probably think of writing as a solitary activity. After all, no one can finish a first draft for you (unless it’s a coauthored project), so the task isn’t a communal experience. Or is it?