On the surface, writing seems easy. You plop into a chair, uncap a pen or power on your computer, and rack up a word count. Right? If you’re a hobbyist, that description is generally accurate. But, if writing is your profession, any burst of creativity also brings an explosion of related tasks. Tackling all these responsibilities can daunt even the most determined writer. But you can keep stress at bay by pacing yourself and developing a healthy amount of productivity in three crucial areas.
Lori Z. Scott
Story Embers Staff Writer
Elementary school teacher Lori Z. Scott usually writes fiction because, like an atom, she makes up everything. Her down time is filled with two quirky habits: chronic doodling and inventing lame jokes. Neither one impresses her principal (or friends/parents/casual strangers), but they do help inspire her writing. Somehow her odd musings led her to accidentally write the 10-book best-selling Meghan Rose series and purposely write more than 150 short stories, articles, essays, poems, and devotions. In addition, Lori contributed to over a dozen books, mostly so she would have an excuse to give people for not folding her laundry. (Hey! Busy writer here!) As a speaker, she’s visited several conferences and elementary schools to share her writing journey. Some of Lori’s favorite things include ice cream, fuzzy socks, Batman, Star Trek, Star Wars, books, and hugs from students. Guess which one is her favorite?
When my children were growing up, they performed in the theater. Occasionally they earned starring roles, but more often than not, they played side characters. That didn’t stop them from trying to steal the show, however. Their facial expressions became more animated during group scenes, or they delivered their lines with extra drama. Since their antics amped up the audience’s reaction, sometimes the director overlooked their schemes. But, in other moments, she stepped in to remind them where the focus needed to remain—on the lead. As authors, we face the same issues with our own side characters.
I’ve long believed that authors can benefit from the methods educators employ in the classroom. Applying them to short pieces or rough inspiration may open up reservoirs that would otherwise go untapped. And daily mental aerobics train your mind to approach topics from a variety of angles.
The sky’s the limit to the number of clichés that can infiltrate writing. In fact, I intend to dump a truckload into this article to illustrate why writers should avoid them like the plague. However, I also believe we ought to tip our hats to clichés. Because the phrases were crafted well, people repeated them until overuse rubbed off the gilding. Now they’re commonplace. But I still appreciate their origins, and I’m going to show you how to dig out the creative potential buried beneath them.
In the kitchen, a competent cook uses a handful of thickening agents to improve the texture, stability, and even the flavor of a dish. Similarly, a skilled writer tackles plot problems with an arsenal of techniques. And I’m going to show you three that you can experiment with to transform your story into something savory and delicious.