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Gabrielle Pollack

Story Embers Social Media Manager & Staff Writer

A long time ago on a hill not so far away, Gabrielle Pollack fell in love. Not with ice cream or cats (though those things are never far from her side) but with storytelling. Since then, she’s been glued to a keyboard and is always in the midst of a writing project, whether a story, blog post, or book. She was a reader before becoming a writer, however, and believes paradise should include thick novels, hot cocoa, a warm fire, and “Do Not Disturb” signs. Her favorite stories include Brandon Sanderson’s Mistborn saga and Nadine Brandes’s Out of Time trilogy.

As those who know her will confess, Gabby is a whole lot of weirdness packed into one INFP. Sharp objects, storms, and trees are her friends, along with stubborn characters and, on occasion, actual people. When she’s not writing, she’s shooting arrows through thickets and subsequently missing her target, jamming on the piano, and pushing her cat off her keyboard. She hopes to infuse her fiction with honesty, victory, and hope, and create stories that grip readers from the first page to the last. Her other goals include saving the world and mastering a strange concept called adulthood. You can hang out with her on Instagram and Facebook.

How to Overcome the Two Types of Long-Term Writer’s Block

How to Overcome the Two Types of Long-Term Writer’s Block

Writer’s block comes in a wide variety of shapes, and it can last anywhere from a few hours to months or even years. No one has all the solutions, but that isn’t an excuse to stop searching. Certain mindsets and circumstances tend to trigger writer’s block—and making a concerted effort to counter those negative patterns can reawaken inspiration.

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How to Surprise Readers with Your Story’s Theme

How to Surprise Readers with Your Story’s Theme

When we get too desperate to make an impact, we risk building messages without biblical foundations. We’ll preach against conventional wisdom simply to set off debates in readers’ minds. But opposing current trends doesn’t automatically transform us into revolutionaries. When we revolve a story around unpopular ideas, we’re playing hit or miss with the truth. A compelling message requires more than going against the grain.

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How Should Christian Authors Portray Bittersweet Endings?

How Should Christian Authors Portray Bittersweet Endings?

All of us are experts at sad stories. We’ve read novels that schooled us in death scenes, betrayals, fractured relationships, and harrowing pasts. These examples taught us that tormenting the protagonist is easy: just thwart his deepest longings. Then we can type “the end” and congratulate ourselves for accurately reflecting our fallen world. But the real sad story is how untrained we are in the art of weaving meaning into tragedy.

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How to Create an Immersive Story World That’s More Than Window Dressing

How to Create an Immersive Story World That’s More Than Window Dressing

Numerous books, blog posts, and worksheets claim that filling in hundreds of categories makes a story world complete. But without a goal at the center, your brainstorming will lack direction, and the details you come up with won’t fit together. Whereas if you integrate your story world into your plot and characters, every aspect of the culture will have a purpose. By following three steps, you can pull readers deeper in.

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How to Write Happy Endings That Don’t Feel Contrived

How to Write Happy Endings That Don’t Feel Contrived

Happy endings resound with hope, reminding us of God’s ultimate triumph over evil. As we turn the last page, we feel homesick for the moment when He’ll wipe away all our tears and usher in the new heavens and new earth. But a thin line separates endings that point toward eternal bliss and endings that have been manipulated to give readers warm fuzzies. For a story to remain honest, the ending needs to reflect victory and reality.

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How to Evoke Humor, Tension, and Sorrow with Dramatic Irony

How to Evoke Humor, Tension, and Sorrow with Dramatic Irony

Writers are lovers of drama. Hit us with a fast-paced shoot-out, a heart-rending rejection, or a tragic death scene, and we’re as happy as larks. Because conflict excites readers, we shove as much of it into our books as possible. Although dramatic irony contains that wonder word, it’s subtler than fight scenes and tear-jerking confessions. Dramatic irony involves manipulating knowledge, not action.

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What The Promise of Jesse Woods Teaches Writers about Character Development

What The Promise of Jesse Woods Teaches Writers about Character Development

Human beings are hard to figure out. We rarely express our full thoughts or feelings, and when we do, misunderstandings still arise. How we process and react to situations is unique and impacted by everything from mood to history to personality. As we’re crafting characters who are intended to embody specific worldviews or lessons, we need to keep human complexity in mind. The strongest, most memorable characters expose their layers during pivotal moments rather than all at once.

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How to Show Character Development in Fast-Paced Stories

How to Show Character Development in Fast-Paced Stories

When you think about fast-paced stories, what comes to mind? Cliffhangers that keep you awake late at night, turning pages so quickly that you get paper cuts? Or anemic character arcs and half-hearted themes. Sometimes films and books sacrifice character development for the sake of fight scenes and car chases. But if a character’s experiences don’t change him at all, what’s the point?

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