Latest Articles
Give Readers What They Need, Not Just What They Want
Though stories are imaginary, they have an incredible ability to encourage readers to either engage deeply with the real world, or search for an escape. As writers, our responsibility is to be intentional about the reactions we provoke and instead fill readers up. Only when they’re overflowing with hope can they pour themselves into others. To leave them in a better state than you found them, you need to stir up a special sort of longing.
3 Benefits You Miss If You Don’t Write Short Stories
Many writers, myself included, tend to devalue short stories because of their brevity. “Real” writers are supposed to craft novels. Some of the most famous authors of the twentieth century, however, were masters of the short story. Think William Faulkner, Ray Bradbury, Oscar Wilde, Flannery O’Connor, and O. Henry. At only 5 or 10 percent the length of a novel, a short story may seem far less intimidating, if not downright easy, to write. But short stories come with their own set of challenges that can help hone your skills for larger projects.
How to Write Healthy Enemies-to-Lovers
If you grew up in the early 2000s, you probably mutilated a daisy at least once to help you guess whether your crush shared your feelings. You’d pluck off the petals one by one, reciting “he loves me” or “he loves me not.” At age nine, I didn’t have a true love, but pretending was fun, and handfuls of daisies met unfortunate ends thanks to my mock indecision. This floral game of roulette is what the enemies-to-lovers trope looks like from afar.
A Simple Technique to Unleash Creativity You Didn’t Realize You Had
A new story is hard to write. And generating ideas to fill it is even harder. When you’re staring at a blank page, Solomon’s words in Ecclesiastes might haunt you: “What has been will be again, what has been done will be done again; there is nothing new under the sun.”
Make Promises, Not Traps: How to Write Honest and Engaging First Lines
I rarely buy stuff on impulse, not even books. When I bring home a book I hadn’t planned to get, it’s because the cover and the first line grabbed my attention. Cover design usually isn’t an author’s responsibility, and even if you’ll be involved in yours, that comes at the end of the writing process. Instead of worrying about that prematurely, I want to talk about the other half of the equation—a story’s beginning.