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Why Consequences Are the Answer to the Plot vs. Character Dilemma
Which is more important: characters or plot? Writers have been locked in that debate for centuries. Plot-oriented writers argue that conflict engages readers. But character-oriented writers insist that readers only care because they relate to the characters. The truth? Both sides are correct because the question is based on a misconception.
How Parents Can Build Sustainable Writing Habits
Writing at any stage of life can be difficult. Some stages present especially complex challenges, like raising children. Your time, resources, and even your body (if you’re nurturing an infant) are no longer your own. How do you craft characters and plots when you’re stepping on Duplos while cooking dinner and your toddler asks so many ponderous questions that you can’t concentrate? To all the parents whose coffee has gone cold, you’re not alone.
Christian Stories Don’t Need to Be Deep and Philosophical
Many of us sit down at our desks with a list of criteria we believe we must meet before we can be confident that we’re honoring God with our writing. Our stories need to be thought-provoking, spiritual, and compelling, to name a few expectations I’ve heard or held myself to. The commission to impact others weighs heavily on our hearts because we know that our writing is an outflow of our Christian witness—and we long to capture our Creator’s magnificence in our own small sphere of creativity. But when we ask how our faith should influence and set us apart as writers, the answers vary as widely as all of humanity.
5 Lies Imposter Syndrome Tells Writers (and How to Fight Back)
I often see writers deprecating themselves on social media. Or hesitating to share their work. Imposter syndrome—the belief that you’re not good enough, qualified enough, or capable enough—spoils the victories of creatives across the globe. Do you suffer from it too?
4 Tips for Respectfully Writing Disabled Characters
“Write what you know!” the experts insist—except in the case of, well, everything, because fiction is inherently composed of lives you’ve never lived. Restricting yourself to personal experiences is impossible, because that will prevent you from showcasing the diversity of humanity. Yet, what if you offend a reader for misunderstanding the challenges she faces?
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