A unique setting isn’t about how you describe it, but about how a character perceives it. Everything in a story revolves around characters, including setting. Descriptions are not foreign elements that must be incorporated solely because characters need a place to plant their feet. Showing the setting through the eyes of a character gives it purpose, direction, and meaning.
You’ve finished the first draft of your novel. What’s next? At some point you’ll need to show your manuscript to a beta reader or two. Seeking an outside opinion is an invaluable and inescapable step in your writing process.
Writers tend to treat the fine points of writing like chemicals in a science lab. Some jumble style and grammar in an intellectual test tube, uncertain which combination will produce the desired effect. Others avoid the subject because they’re worried it might encumber their creativity and make their writing monotonous.
Writers tend to instinctively sense that grammar, mechanics, and style are important. But what are they, really? How are they distinct from each other? Do they overlap? And do they actually matter, or are they just terms that writing experts throw around to sound fancy?