If you write contemporary fiction, you’ve probably run into the problem of choosing a setting. A story’s setting is as influential to the plot as the characters who populate it. A book set in Paris will be vastly different from one set in a small Midwestern town. But what if you’ve never been to the locations in your story? How important is accuracy? The short answer: Authentic details bring settings to life.
The 1860s to 1890s were a shoot ’em up, bang ’em up period full of drinking, swearing, killing, and general lawlessness. So, how are you supposed to write a wholesome story set during the Wild West?
When I think about researching the time period my book is set in, I cringe. How do I write it without becoming overwhelmed and giving up?
A unique setting isn’t about how you describe it, but about how a character perceives it. Everything in a story revolves around characters, including setting. Descriptions are not foreign elements that must be incorporated solely because characters need a place to plant their feet. Showing the setting through the eyes of a character gives it purpose, direction, and meaning.
Worldbuilding and plotting are two separate processes, right? Wrong. Like every component of fiction, story world and plot are interlinked. Or rather, they can be. When you take the effort to use worldbuilding to deepen your plot, your book will feel intentional and whole.