by Daeus Lamb | Mar 11, 2019 | Articles |
When I cracked open Out of the Silent Planet, I gobbled up page after page. Did the plot thrill me? Was I a C. S. Lewis fanatic? It was a marvelous book on many fronts, but the aspect that stuck with me wasn’t the plot, the characters, or the themes. I remember...
by Maddie Morrow | Jan 7, 2019 | Articles |
If you write contemporary fiction, you’ve probably run into the problem of choosing a setting. A story’s setting is as influential to the plot as the characters who populate it. A book set in Paris will be vastly different from one set in a small Midwestern town. But...
by Faith Blum | Dec 10, 2018 | Articles |
The 1860s to 1890s were a shoot ’em up, bang ’em up period full of drinking, swearing, killing, and general lawlessness. So, how are you supposed to write a wholesome story set during the Wild West? If you’re like me, you love Westerns. However, due to the...
by Faith Blum | Oct 8, 2018 | Articles |
When I think about researching the time period my book is set in, I cringe. How do I write it without becoming overwhelmed and giving up? The amount of books to study (or lack thereof), websites to scour, and documentaries to watch can be daunting. How can you...
by Gabrielle Pollack | Aug 27, 2018 | Articles |
A unique setting isn’t about how you describe it, but about how a character perceives it. Everything in a story revolves around characters, including setting. Descriptions are not foreign elements that must be incorporated solely because characters need a place...
by Gabrielle Pollack | Aug 6, 2018 | Articles |
Worldbuilding and plotting are two separate processes, right? Wrong. Like every component of fiction, story world and plot are interlinked. Or rather, they can be. When you take the effort to use worldbuilding to deepen your plot, your book will feel...
